Roderick’s background is deeply rooted in technical production and event management.\u00a0 From the mid 1980\u2019s he has worked as a Production and Technical Manager for a wide variety of productions in many formats and on many continents.\u00a0 He has delivered everything from very small dance productions in very small theatres to very large scale corporate productions and multi-stage music festivals. <\/p>\n\n\n\n
With a long history in design and experience in transforming ideas, interpreting concepts and turning them into working realities is one of his strong assets.\u00a0 Being able to clearly set-out schedules and targets and communicate them to all stakeholders is crucial in the efficient delivery of a project.<\/p>\n\n\n\n
In 1998 he accepted the position as Technical Manager and Consultant for Playbill Venue Management, managers of the Hordern Pavilion and Royal Hall of Industry. \u00a0His core responsibilities included looking after high-profile events during the renovation of both venues and involved a high level of consultation with the construction company\u00a0 to ensure the venues remained functional.\u00a0 Upon the completion of the renovations he was offered the position of Technical Manager for Playbill Venue Management, and briefly Fox Studios Australia.\u00a0 In that position he supervised a team to deliver a wide range of concerts, corporate functions, trade exhibitions, dance parties and theatrical performances.\u00a0 All were delivered on time, on budget and often exceeding expectations of guests and promotors. <\/p>\n\n\n\n
After a hiatus of several years where he concentrated on risk and safety management, Roderick has recently started accepting contracts as technical \/ production manager again.
Mainly looking after smaller productions with no budget for additional challenge levels, productions included ‘Flamenco Now’ at Riverside Theatres, Parramatta; the Arts Health Institute conference at NIDA, Sydney; de Quincy Company ‘Metadata’ at Riverside Theatres, Parramatta; ‘Three Voices’ Morton Feldman, Sydney Fringe Festival 2017; ‘Vertical Fields’, Elia Boshardt, LotW Studio, Leichhardt.<\/p>\n\n\n\n
Currently in preparation for the Sydney International Piano Competition 2020 to be held in the Verbrueghen Hall, Sydney Conservatorium and Centennial Hall, Sydney Town Hall.<\/p>\n\n\n\n
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Roderick’s background is deeply rooted in technical production and event management.\u00a0 From the mid 1980\u2019s he has worked as a Production and Technical Manager for a wide variety of productions in many formats and on many continents.\u00a0 He has delivered everything from very small dance productions in very small theatres to very large scale corporate […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-79","page","type-page","status-publish","hentry"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/roderickvangelder.nl\/index.php?rest_route=\/wp\/v2\/pages\/79","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/roderickvangelder.nl\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/roderickvangelder.nl\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/roderickvangelder.nl\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/roderickvangelder.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=79"}],"version-history":[{"count":0,"href":"https:\/\/roderickvangelder.nl\/index.php?rest_route=\/wp\/v2\/pages\/79\/revisions"}],"wp:attachment":[{"href":"https:\/\/roderickvangelder.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=79"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}